Paperback, 310 pages
English language
Published Nov. 7, 1956 by Modern Library.
Originally published in 1932, this outstanding work of literature is more crucial and relevant today than ever before. Cloning, feel-good drugs, antiaging programs, and total social control through politics, programming, and media -- has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 AF (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity. A powerful work of speculative fiction that has enthralled and terrified readers for generations, Brave New World is both a warning to be heeded and thought-provoking yet satisfying entertainment.
What we remember most is how disappointed we were that the story spun all the wonderful potential benefits of science into a dystopia where class and capitalism prevailed. The book disturbingly portrays how a society with admiral goals can go wrong with rigid and fanatical application. Society, it is to flourish, it needs to be open and alive.
Read this immediately afte reading the Orwell classic, 1984. I admit, I struggled reading this book. The method of story telling, with the switching of character perspective was difficult to follow. The idea of the book became far more clearer as the book progressed and became clear especially towards the end.
However the ideas presented in the book and their demonstration was thought provoking.
Obra sobrevalorada donde las haya. Es cierto que Huxley es un adelantado a su tiempo ya que describe una sociedad que en algunos aspectos se va pareciendo peligrosamente a la nuestra, pero en mi opinión, sigue un planteamiento erróneo. Desde el aspecto político, describe una sociedad en la que el Estado cubre todas tus necesidades (comunismo) y al mismo tiempo somete a la población a continuos estímulos y drogas para que los ciudadanos crean que son felices (capitalismo), una contradicción como una casa. Entre eso y la burda selección de nombres de los personajes (Lenina, Marx, Trotsky…), es evidente que lo que ha escrito este señor británico de familia acomodada no es más que un panfleto con el que difundir la absurda idea de que “los extremos se tocan”.
